Warning: mkdir(): No space left on device in /www/wwwroot/Z5.com/func.php on line 127

Warning: file_put_contents(./cachefile_yuan/cf-margaux.com/cache/81/ef04c/473b3.html): failed to open stream: No such file or directory in /www/wwwroot/Z5.com/func.php on line 115
《OOO·電王·全體騎士 Let's Go》免費播放-在線觀看 - 星辰電影網
播放記錄

OOO·電王·全體騎士 Let's Go第1集在線觀看

已完結 / / 動作片 /日本 / 2011

《OOO·電王·全體騎士 Let's Go》劇情簡介

並不平靜的一天,變身為假麵騎士OOO的火野映司(渡部秀 飾)協同夥伴Ankh(三浦涼介 飾)與修卡戰鬥。誰知關鍵時刻,戰局突然發生意外,一列時空列車DenLiner不期而至出現在二人麵前。他們見到了可以變身為假麵騎士電王的幸太郎(櫻田通 飾),為此大為驚訝。二人趁亂登上列車,然而列車長嚴厲禁止他們下車,以免擾亂曆史走向。列車回到了1971年,假麵騎士電王與異魔神展開輸死決鬥,而就在此時,Ankh偷偷留出車廂尋找硬幣,最後被映司等人抓了回來。當他們重返自己所處的時代,發現整個世界已經天翻地覆,修卡前所未有壯大,幾乎統治了全世界。                                                                      不肯認輸的映司和Ankh與修卡展開戰鬥……

《OOO·電王·全體騎士 Let's Go》相關視頻

  • 神聖之夜:惡魔獵人 5.0 神聖之夜:惡魔獵人
    神聖之夜:惡魔獵人
    2025 動作
    簡介:影片講述狩獵惡魔的黑暗解決師“神聖之夜”團隊與崇拜邪惡的犯罪集團對抗的故事。
  • 善惡邊緣:暗黑交鋒 5.0 善惡邊緣:暗黑交鋒
    善惡邊緣:暗黑交鋒
    2025 動作
    簡介:一個無畏的堂試圖改變他無情的方式和暴力的過去,與家人和平相處。然而,他黑暗的過去繼續困擾著他。他直麵它並克服它。
  • 蟻型危機 2.0 蟻型危機
    蟻型危機
    2025 動作
    簡介:生物學家胡朔為救基因缺陷的兒子,研究用螞蟻基因改善人類基因,卻遭所有人否定,妻子劉幸之也離他而去。黃錦雄因病資助研究,參觀實驗室時蟻後逃走變異,帶領蟻群攻擊眾人,胡朔和黃錦雄身體也開始蟻化。最終,劉幸之封鎖引爆實驗室,阻止了浩劫。
  • 盲水2023 9.0 盲水2023
    盲水2023
    2023 動作
    簡介:An unrelenting shark turns a couple's dream vacation into a nightmare when they are stranded at sea and forced to fight for their lives.
  • 鬥士2025 9.0 鬥士2025
    鬥士2025
    2025 動作
    簡介:在一個被不公正所籠罩的國家,一個火熱的年輕人麵對強大的腐敗網絡,挑戰現狀,為平民人民的權利而戰。
  • 夜行客 10.0 夜行客
    夜行客
    1975 動作
    簡介:Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”

評論

  • 當前沒有評論,趕緊搶個沙發!
  • 網站地圖